I Can’t Work Like This. A Reader on Recent Boycotts and Contemporary Art, Joanna Warsza (Ed.)
384 pagessoftcover138 x 210 mm
In recent years, artists and curators have often been confronted with the political dilemma of engagement or disengagement. The ideological, economic, or ethically objectionable circumstances of certain biennials and art exhibitions have raised the question of whether to continue and, if so, under what circumstances, with what consequences, and to what ends? From 2013 to 2015, biennials in Istanbul, St. Petersburg, Sydney, and São Paulo demonstrated that curating and art production can’t just carry on as if nothing had happened.
Copublished with Salzburg International Summer Academy of Fine Arts and Sternberg PressVideo from Book Launch in Pro qm, Berlin